VICTORIA RABY
North West Theatre Director
Credit: Liverpool Scratch Network
Theatre doesn’t stop when the play ends.
I strive to create experiences that make audiences leave the theatre without a clear answer handed to them, enabling a discussion to develop post-show.
My approach is defined by the knowledge that people are inherently fascinating; how we approach situations and deal with challenges are shaped through every interaction, therefore working with the actors who bring that unique experience,
drives the performance and the story forward!
Collaborations
I'd love to hear your ideas and see if together we can create
a fantastic production.
Please include; title of piece, when and where to perform
(if known)
victoriaraby.contact@gmail.com
Socials:
Liverpool, United Kingdom
Email:
Location:
Credit: Liverpool Scratch Network
DIRECTING STYLE
To be focused and invested in people’s lives for an allotted amount of time is really important given how we are so disconnected as a culture and as a society the more technology comes in to play. This is why I tend to veer towards naturalism and immersive techniques, and focus on the weight of silence and the visceral impact of physical presence, ensuring every gesture serves a purpose.
I am able to dissect and understand a script whilst being able to incorporate ideas that the actors bring to the rehearsal room. I focus on investing in the actors to explore their versions of each emotion and lived experiences, prioritising discovery over restrictive blocking placement. I use my understanding of the human condition and empathy to draw out the actors' own experiences and interpretations.
I'm particularly interested in satirical works, where the use of absurdity is a tool for social critique, stripping away the seemingly mundane to reveal the inherent contradictions of the human condition.
Additionally, something I look for in a piece of theatre is the use of the senses to force the audience to be a part of creating the world the characters inhabit; Good by National Theatre, demonstrated a piece of paper being passed between characters as sound and no physical paper was shown. This method aims to see the audience, not as onlookers, but as part of the creative process.
“These days opinions are disposable. Our role is to bring these discussions about behaviour and accountability back into society”
CV
2025 — PRESENT
THEATRE DIRECTOR
Collaborative oversight of comedic and dramatic works. Developed a unique approach to physical theatre and character-driven storytelling for regional stages.
2022-2025
Assistant Director - TV
Progressing to a 2nd AD allowed me to channel my creative energy whilst challenging my timing and cinematography awareness
2020-2023
Acting BA(Hons)
This experience of dedicating acting training has opened up a variety of techniques and experiences which I use in my directing as an actor lead director.
PORTFOLIO
A curated selection of theatrical works. Each production is a commitment to the raw, unfiltered truth of the stage.
